Poetry and Calligraphy
2002
‘Primitive Vision: Man’yôshû and Hermeneutics.’
Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation. University of Hawaii Press, 189-205.
‘Teikoku to kokumin no aida: sengo no waka hihyô ni okeru teikoku no kage to kokumin teki handô.’
Kindai nihon no bunkashi 8: kanjô – kioku – sensô, Tokyo: Iwanami shoten, 161-190.
(Expanded and translated from ‘Between Nation and Empire,’ 2001)
‘Diagram, Inscription, Sensation.’
A Shock to Thought: Expression after Deleuze and Guattari, ed. Brian Massumi, Routledge, 149-170.
(Revised from Deleuze, Guattari and the Philosophy Expression, special edition of Canadian Review of Comparative Literature, 1997)
Diagram, Inscription, Sensation.tif
2001
‘Between Empire and Nation:
The Problem of Influence and Reaction in Postwar Waka Criticism.” Approches critiques de la pensée japonaise du XXe siecle, Les Presses de l’Université de Montréal Press, 425-48.
1999
‘Unstating the Classical Moment:
The Logic of Forms and Forces in Heian Japan."
The Classical Moment: Views from Seven Literatures, Oxford: Rowman and Littlefield, 75-97.
1997
‘Diagram, Inscription, Sensation.’
Deleuze, Guattari and the Philosophy Expression, special edition of Canadian Review of Comparative Literature (24: 3): 669-694.
1994
Writing Doubled Over, Broken: Provisional Names, Acrostic Poems and the Perpetual Contest of Doubles in Heian Japan.”
positions 2:2: 250-273.
